A readable melting pot sizzling with highlights from the international auction market of vintage design - my fascination with Art Deco, mid-century modernism, classic cars and glamorous Old Hollywood - my tireless hunt for more great finds in the vast fields of Danish flea markets - and personal stories from being a passionate collector with too many obsessions to satisfy. Yeah, just a little bit of everything stylish, elegant and desirable. I hope you will enjoy my sporadic posts.
Tuesday, April 29, 2014
Karpf and his mystery chair
A few weeks ago I spotted this very peculiar looking
chair on the Danish auction site, Lauritz.com.
Not only did it look very strange, like
nothing else I’ve seen, it was also pretty worn.
Even one of the partly upholstered rods had sadly broken off.
However it did more than catch my eye, it also caught
my permanent attention. Because maybe I had seen it before after all. Yes. I
recognized the chair as being a extremely rare piece of furniture by little
known Danish designer Peter Karpf. I can’t remember why, where or when I came
across this chair in the past but it was definitely many years ago. Most likely
somewhere on the Internet as this chair is not pictured in any contemporary
literature about Danish furniture design.
The chair was originally designed in only two examples
with a matching coffee table and were made for a installation at the Copenhagen
Cabinetmaker’s guild in 1964. This also marked Peter Karpf’s debut as an
architect. The two chairs were constructed of ash wood, upholstered with textiles
by Nina Koppel and produced by furniture maker Willy Beck.
Two original photos from the installation:
So far only these two chairs were thought to have been
made. However this third example on Lauritz proved the theory wrong with its
large, single armrest being placed on the right side of the chair. On the two
original chairs the armrests are placed on the left side of both chairs.
The auction’s item description wrote that the chair
was produced by Norwegian furniture maker Stokke in the 1960’s as a unique
logo-chair for a furniture store in southern Zeeland.
However no names of the potential designer was mentioned. Nor the seller or
Lauritz could clearly identify the chair.
I haven’t dealt with vintage furniture in many years, but
I still look at all the lots and their results at modern furniture auctions
hosted by premier players like Wright, Phillips de Pury and Sotheby’s. This
rare chair made me think. As Scandinavian furniture design is all the rage
right now, maybe I could buy the chair at a reasonable price, have it fully
restored and then hopefully make a very nice profit by selling it at premier
Danish auction house Bruun Rasmussen in one of their annual international
auctions. I actually rated my chances of gaining the chair to be very good.
First, the chair was broken which alone would cancel a lot of people’s interest
in a unidentified chair. Second, I suspected only a handful of people besides
me would know the chair’s interesting origin and secretive creator. Third, any
potential buyer would have to coincidently spot it on Lauritz, like me, which
would be increasingly difficult after the first 24 hours where one can look
through all the new listings of the day online. The chair would hereafter be
nearly impossible to detect for Lauritz’ search engine as no revealing names or
significant clues were mentioned in the item description.
However my speculations were all in vain as a few
others had clearly spotted the chair knowing full well its origin. In the final
minutes of the auction a traditional bidding war suddenly broke out and the
final bid ended at $7555 including buyer’s premium.
Peter Karpf was born on the 29th of
September 1940 inCopenhagen, Denmark. He became a cabinetmaker
from Fritz Hansen in 1957 and a designer from the School Of Arts & Crafts
in 1961. Since then he has collaborated with heavyweight designers and
architects like Arne Jacobsen, Grete Jalk, Piet Hein and Jørn Utzon. Peter
Karpf has received several first prizes for his innovative designs and his work
are in the collections of many museums like MOMA in New
York and Victoria & Albert in
London to name
Today Peter Karpf is almost completely unknown to the
vast public. For several decades he’s been working in the shadows of many
legendary Danish architects and designers from the glorious postwar era, so I
thought I’ll show you a few of his creations, both early and recent examples:
A lesser known variant of Karpf’s ‘Spider’ lounge
chair. Produced by Christensen & Larsen, 1965.
A reversible plastic chair produced by Poul
Chair designed for Slagelse Møbelfabrik, 1968.
Peter Karpf gained his largest breakthrough in 2001
when his celebrated Voxia collection for Swedish furniture maker Iform received
the prestigious Red Dot award. Peter Karpf had been working on the collection
for 30 years while exploring how compression moulded, laminated beech could be
stretched to its limits with the purpose of making furniture that expressed
The Oxo chair
The Eco chair
The Tri chair
In 2007 Peter Karpf designed the Agitari lounge and
dining chair for Fredericia Furniture. They could be ordered in several types of wood veneer or partly upholstered.
Agitari is Latin and means "something waving in the wind".
Agitari lounge chair.
Agitari dining chair.
Original ad for the Agitari dining chair.
Peter Karpf has also designed a few minor household
items like this Gemini candlestick
from 1965 currently being produced by the
Danish firm, Architectmade.
The small, stackable Trepas tea-light holders were
designed in 1966 and are made of steel, brass and copper.
Architectmade a few years ago but now seem to have gone out of production: